The main character also goes through changes throughout the story. You should also provide a hint to what this character’s major conflict is in the story (more on conflict later). While introducing this character it is a good idea to include key information about this character’s personality, past and physical appearance. The main character should be introduced at the beginning. Stories can also have multiple secondary characters, such as supporting characters and villain/s. Every story has at least one main character. CharactersĬharacters are the most familiar element in stories. 5 Elements Of A Storyīelow we have explained each of the five elements of a story in detail, along with examples. You may also notice that these story elements are what most book outlining techniques are based on. These five elements are a great place to start when you need help planning your story. The most universally used story elements contain just five building blocks: In fact, there can be as few as 4 elements in literature all the way up to 12 elements. Over the years, writers have adapted these elements to suit their writing process. By understanding each element, you increase the chances of writing a better story or novel. Simply put, these elements remind writers what to include in stories, and what needs to be planned. Without these blocks, a story will break down, failing to meet the expectations of readers. ![]() Written eleven years after A Raisin in the Sun, Lorraine Hansberry’s final drama is an unknown masterpiece of the American stage and a highly theatrical search for the soul of post-colonial Africa.Story elements are the building blocks needed to make a story work. Les Blancs marked the National Theatre debut of the multi-award-winning director Yaël Farber, whose productions include The Crucible (Old Vic) and the internationally-acclaimed Mies Julie and Nirbhaya. ![]() Tshembe, returned home from England for his father’s funeral, finds himself in the eye of the storm.Ī family and a nation fall apart under the pressure to determine their own identity as this brave, illuminating and powerful play confronts the hope and tragedy of revolution. A society prepares to drive out its colonial present and claim an independent future. This production is an archival recording captured in 2016.Īn African country teeters on the edge of civil war. Lesson Plan: Who is Responsible for the Creature's ActionsĪge recommendation: 14+ (contains mature themes and references to racism) Lesson Plan: Adapting a Novel for the Stage Lesson Plan: Analysing Theatre Craft in Frankenstein Lesson Plan: Comparing Different Performances Lesson Plan: Putting Frankenstein in Context The production was a sell-out hit at the National Theatre in 2011, and the broadcast has since become an international sensation, experienced by almost half a million people in cinemas around the world. Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing classic gothic tale. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Written by Mary Shelley and adapted by Nick Dear.Ĭhildlike in his innocence but grotesque in form, Frankenstein’s bewildered Creature is cast out into a hostile universe by his horror-struck maker. If you have any questions or feedback on our resources, please get in touch: recommendation: 15+ (contains nudity and one scene of sexual violence)īenedict Cumberbatch and Jonny Lee Miller each play Victor Frankenstein and his creation in these two performances of Danny Boyle's smash-hit production. Short films and audio recordings including contextual information for the productions and interviews with actors and creatives, which can be found on individual production pages where available.Lesson Plans: individual activities and learning tasks for some productions.Primary School Learning Packs: resources designed to support primary teachers as they prepare to explore a production with their class.Key Stage 3 Packs: study guides for a select number of productions, tailored to teachers and students studying drama at Key Stage 3.These introduce the process of creating, rehearsing and staging each play. Rehearsal Insights: rehearsal room diaries and notes prepared by the Staff Director, where available.These include plot synopses with timecodes, notes about the key elements from performance style to design, pointers for further research, and much more. Learning Guides for most productions: all the information you need to enable you to study the production and write about it in detail.The National Theatre Collection includes an expanding bank of learning resources.
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